MAud考研英语真题：2013年考研英语翻译真题解析（英语一）[组图]

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2013年考研英语翻译实题：

Part C

Directions: Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written clearly on ANSWER SHEET 2. (10 points)

It is speculated that gardens arise from a basic need in the individuals who made them: the need for creative expression. There is no doubt that gardens evidence an impossible urge to create, express, fashion, and beautify and that self-expression is a basic human urge; (46) Yet when one looks at the photographs of the garden created by the homeless, it strikes one that , for all their diversity of styles, these gardens speak of various other fundamental urges, beyond that of decoration and creative expression.

One of these urges had to do with creating a state of peace in the midst of turbulence, a “still point of the turning world,” to borrow a phrase from T. S. Eliot. (47)A sacred place of peace, however crude it may be, is a distinctly human need, as opposed to shelter, which is a distinctly animal need. This distinction is so much so that where the latter is lacking, as it is for these unlikely gardens, the former becomes all the more urgent. Composure is a state of mind made possible by the structuring of one’s relation to one’s environment. (48) The gardens of the homeless which are in effect homeless gardens introduce from into an urban environment where it either didn’t exist or was not discernible as such. In so doing they give composure to a segment of the inarticulate environment in which they take their stand.

Another urge or need that these gardens appear to respond to, or to arise from is so intrinsic that we are barely ever conscious of its abiding claims on us. When we are deprived of green, of plants, of trees, (49) most of us give into a demoralization of spirit which we usually blame on some psychological conditions, until one day we find ourselves in garden and feel the expression vanish as if by magic. In most of the homeless gardens of New York City the actual cultivation of plants is unfeasible, yet even so the compositions often seem to represent attempts to call arrangement of materials, an institution of colors, small pool of water, and a frequent presence of petals or leaves as well as of stuffed animals. On display here are various fantasy elements whose reference, at some basic level, seems to be the natural world. (50)It is this implicit or explicit reference to nature that fully justifies the use of word garden though in a “liberated” sense, to describe these synthetic constructions. In them we can see basophilic- a yearning for contact with nonhuman life-assuming uncanny representational forms.

2013年考研英语翻译实题：

46. yet when one looks at the photographs of the gardens created by the homeless, it strikes one that, for all their diversity of styles, these gardens speak of various other fundamental urges beyond that of decoration and creative expression.

47. A sacred place of peace, however, crude it may be, is a distinctly human need, as opposed to shelter which is a distinctly animal need.

48. The gardens of the homeless which are in effect homeless garden introduce from in to an urban environment where it either didn’t exist or was not discernible as such

49 . Most of us give in to a demoralization of spirit which we usually blame on some psychological conditions until one day we find ourselves in a garden and feel the oppression vanish as if by magic

50. It is this implicit or explicit reference to nature that fully justifies the use of the word garden, though in a “liberated” sense, to describe these synthetic constructions.

Section III Translation

46. yet, when one looks at the photographs of the gardens created by the homeless, it strikes one that, for all their diversity of styles, these gardens speak of various other fundamental urges, beyond that of decoration and creative expression.

2013年考研英语翻译实题：

但是，看着无家可归者画造出的花圃图片时，人们会忽然念到，虽然那些花圃气势派头多样，它们皆显现了人类除粉饰战缔造性表达以外的其他各类根本诉求

47. A sacred place of peace, however crude it may be, is a distinctly human need, as opposed to shelter, which is a distinctly animal need.

不管处所何等粗陋不胜，觅求一片喧闹圣土是人类独有的需求，而植物需求的仅是仅是出亡栖息之天。

48. The gardens of the homeless, which are in effect homeless gardens, introduce form into an urban environment where it either didn’t exist or was not discernible as such.

无家可归者的乐土,实践上是一个毫无家庭气味的处所,给都会情况带来了一种新的情势。。

无家可归者描画的花圃本质上是无所依靠的,那些花圃把一种情势引进都会情况中，而那样的都会情况中，情势要末底子没有存正在, 要末就完整没有是以那种较着的方法存正在。

49. Most of us give in to a demoralization of spirit which usually blame on some psychological conditions, until one day we find ourselves in a garden and feel the oppression vanish as if by magic.

我们年夜大都人会深陷于肉体委靡的形态，并经常将此归罪为一些心思本果，曲到某天我们发明本人置身花圃中，感应如邪术般沉闷尽消

50. It is this implicit or explicit reference to nature that fully justifies the use of the word garden, though in a “liberated” sense, to describe these synthetic constructions.

恰是对天然的那种或隐晦委婉或明晰曲黑的说起，充实证明了用“花圃”一词来形貌那些实拟修建是符合道理的，即便是从毫无拘泥的意义来说的。

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